Selected Essays (Penguin Classics) Page 9

  No. 14. Saturday, 5 May 1750.

  ————————Nil fuit unquam

  Sic dispar sibi————————

  HOR.1

  Sure such a various creature ne’er was known.

  FRANCIS.

  Among the many inconsistencies which folly produces, or infirmity suffers in the human mind, there has often been observed a manifest and striking contrariety between the life of an author and his writings; and Milton, in a letter to a learned stranger, by whom he had been visited, with great reason congratulates himself upon the consciousness of being found equal to his own character, and having preserved in a private and familiar interview that reputation which his works had procured him.2

  Those whom the appearance of virtue, or the evidence of genius, have tempted to a nearer knowledge of the writer in whose performances they may be found, have indeed had frequent reason to repent their curiosity; the bubble that sparkled before them has become common water at the touch; the phantom of perfection has vanished when they wished to press it to their bosom. They have lost the pleasure of imagining how far humanity may be exalted, and, perhaps, felt themselves less inclined to toil up the steeps of virtue, when they observe those who seem best able to point the way, loitering below, as either afraid of the labour, or doubtful of the reward.

  It has been long the custom of the oriental monarchs to hide themselves in gardens and palaces, to avoid the conversation of mankind, and to be known to their subjects only by their edicts. The same policy is no less necessary to him that writes, than to him that governs; for men would not more patiently submit to be taught, than commanded, by one known to have the same follies and weaknesses with themselves. A sudden intruder into the closet of an author would perhaps feel equal indignation with the officer, who having long solicited admission into the presence of Sardanapalus, saw him not consulting upon laws, enquiring into grievances, or modelling armies, but employed in feminine amusements, and directing the ladies in their work.3

  It is not difficult to conceive, however, that for many reasons a man writes much better than he lives. For, without entering into refined speculations, it may be shown much easier to design than to perform. A man proposes his schemes of life in a state of abstraction and disengagement, exempt from the enticements of hope, the solicitations of affection, the importunities of appetite, or the depressions of fear, and is in the same state with him that teaches upon land the art of navigation, to whom the sea is always smooth, and the wind always prosperous.

  The mathematicians are well acquainted with the difference between pure science, which has to do only with ideas, and the application of its laws to the use of life, in which they are constrained to submit to the imperfection of matter and the influence of accidents. Thus, in moral discussions it is to be remembred that many impediments obstruct our practice, which very easily give way to theory. The speculatist is only in danger of erroneous reasoning, but the man involved in life has his own passions, and those of others, to encounter, and is embarrassed with a thousand inconveniences, which confound him with variety of impulse, and either perplex or obstruct his way. He is forced to act without deliberation, and obliged to choose before he can examine; he is surprised by sudden alterations of the state of things, and changes his measures according to superficial appearances; he is led by others, either because he is indolent, or because he is timorous; he is sometimes afraid to know what is right, and sometimes finds friends or enemies diligent to deceive him.

  We are, therefore, not to wonder that most fail, amidst tumult, and snares, and danger, in the observance of those precepts, which they laid down in solitude, safety, and tranquillity, with a mind unbiassed, and with liberty unobstructed. It is the condition of our present state to see more than we can attain, the exactest vigilance and caution can never maintain a single day of unmingled innocence, much less can the utmost efforts of incorporated mind reach the summits of speculative virtue.

  It is, however, necessary for the idea of perfection to be proposed, that we may have some object to which our endeavours are to be directed; and he that is most deficient in the duties of life, makes some atonement for his faults, if he warns others against his own failings, and hinders, by the salubrity of his admonitions, the contagion of his example.

  Nothing is more unjust, however common, than to charge with hypocrisy him that expresses zeal for those virtues, which he neglects to practise; since he may be sincerely convinced of the advantages of conquering his passions, without having yet obtained the victory, as a man may be confident of the advantages of a voyage, or a journey, without having courage or industry to undertake it, and may honestly recommend to others, those attempts which he neglects himself.

  The interest which the corrupt part of mankind have in hardening themselves against every motive to amendment, has disposed them to give to these contradictions, when they can be produced against the cause of virtue, that weight which they will not allow them in any other case. They see men act in opposition to their interest, without supposing, that they do not know it; those who give way to the sudden violence of passion, and forsake the most important persuits for petty pleasures, are not supposed to have changed their opinions, or to approve their own conduct. In moral or religious questions alone, they determine the sentiments by the actions, and charge every man with endeavouring to impose upon the world, whose writings are not confirmed by his life. They never consider that they themselves neglect, or practise something every day, inconsistently with their own settled judgment, nor discover that the conduct of the advocates for virtue can little increase, or lessen, the obligations of their dictates; argument is to be invalidated only by argument, and is in itself of the same force, whether or not it convinces him by whom it is proposed.

  Yet since this prejudice, however unreasonable, is always likely to have some prevalence, it is the duty of every man to take care lest he should hinder the efficacy of his own instructions. When he desires to gain the belief of others, he should shew that he believes himself; and when he teaches the fitness of virtue by his reasonings, he should, by his example, prove its possibility: Thus much at least may be required of him, that he shall not act worse than others because he writes better, nor imagine that, by the merit of his genius, he may claim indulgence beyond mortals of the lower classes, and be excused for want of prudence, or neglect of virtue.

  BACON, in his History of the winds, after having offered something to the imagination as desirable, often proposes lower advantages in its place to the reason as attainable.4 The same method may be sometimes pursued in moral endeavours, which this philosopher has observed in natural enquiries; having first set positive and absolute excellence before us, we may be pardoned though we sink down to humbler virtue, trying, however, to keep our point always in view, and struggling not to lose ground, though we cannot gain it.

  It is recorded of Sir Matthew Hale, that he, for a long time, concealed the consecration of himself to the stricter duties of religion, lest, by some flagitious and shameful action, he should bring piety into disgrace.5 For the same reason, it may be prudent for a writer, who apprehends that he shall not inforce his own maxims by his domestic character, to conceal his name that he may not injure them.

  There are, indeed, a greater number whose curiosity to gain a more familiar knowledge of successful writers, is not so much prompted by an opinion of their power to improve as to delight, and who expect from them not arguments against vice, or dissertations on temperance or justice, but flights of wit, and sallies of pleasantry, or, at least, acute remarks, nice distinctions, justness of sentiment, and elegance of diction.

  This expectation is, indeed, specious and probable, and yet, such is the fate of all human hopes, that it is very often frustrated, and those who raise admiration by their books, disgust by their company. A man of letters for the most part spends, in the privacies of study, that season of life in which the manners are to be softened into ease, and polished into elegance, and, when he has
gained knowledge enough to be respected, has neglected the minuter acts by which he might have pleased. When he enters life, if his temper be soft and timorous, he is diffident and bashful, from the knowledge of his defects; or if he was born with spirit and resolution, he is ferocious and arrogant from the consciousness of his merit: he is either dissipated by the awe of company, and unable to recollect his reading, and arrange his arguments; or he is hot, and dogmatical, quick in opposition, and tenacious in defence, disabled by his own violence, and confused by his haste to triumph.

  The graces of writing and conversation are of different kinds, and though he who excels in one might have been with opportunities and application equally successful in the other, yet as many please by extemporary talk, though utterly unacquainted with the more accurate method, and more laboured beauties, which composition requires; so it is very possible that men, wholly accustomed to works of study, may be without that readiness of conception, and affluence of language, always necessary to colloquial entertainment. They may want address to watch the hints which conversation offers for the display of their particular attainments, or they may be so much unfurnished with matter on common subjects, that discourse not professedly literary glides over them as heterogeneous bodies, without admitting their conceptions to mix in the circulation.

  A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.

  No. 16. Saturday, 12 May 1750.

  ————Multis dicendi copia torrens,

  Et sua mortifera est facundia————

  Juv.1

  Some who the depths of eloquence have found,

  In that unnavigable stream were drown’d.

  DRYDEN.

  SIR,

  I am the modest young man whom you favoured with your advice, in a late paper;2 and, as I am very far from suspecting that you foresaw the numberless inconveniences which I have, by following it, brought upon myself, I will lay my condition open before you, for you seem bound to extricate me from the perplexities, in which your counsel, however innocent in the intention, has contributed to involve me.

  You told me, as you thought, to my comfort, that a writer might easily find means of introducing his genius to the world, for the presses of England were open. This I have now fatally experienced; the press is, indeed, open.

  ————Facilis descensus Averni,

  Noctes atque dies patet atri janua Ditis.3

  The gates of hell are open night and day;

  Smooth the descent, and easy is the way.

  DRYDEN.

  The means of doing hurt to ourselves are always at hand. I immediately sent to a printer, and contracted with him for an impression of several thousands of my pamphlet. While it was at the press, I was seldom absent from the printing-house, and continually urged the workmen to haste, by solicitations, promises, and rewards. From the day all other pleasures were excluded, by the delightful employment of correcting the sheets; and from the night sleep was generally banished, by anticipations of the happiness, which every hour was bringing nearer.

  At last the time of publication approached, and my heart beat with the raptures of an author. I was above all little precautions, and, in defiance of envy or of criticism, set my name upon the title, without sufficiently considering, that what has once passed the press is irrevocable, and that though the printing-house may properly be compared to the infernal regions, for the facility of its entrance, and the difficulty with which authors return from it; yet there is this difference, that a great genius can never return to his former state, by a happy draught of the waters of oblivion.

  I am now, Mr. Rambler, known to be an author, and am condemned, irreversibly condemned, to all the miseries of high reputation. The first morning after publication my friends assembled about me; I presented each, as is usual, with a copy of my book. They looked into the first pages, but were hindered, by their admiration, from reading farther. The first pages are, indeed, very elaborate. Some passages they particularly dwelt upon, as more eminently beautiful than the rest; and some delicate strokes, and secret elegancies, I pointed out to them, which had escaped their observation. I then begged of them to forbear their compliments, and invited them, I could not do less, to dine with me at a tavern. After dinner, the book was resumed; but their praises very often so much overpowered my modesty, that I was forced to put about the glass, and had often no means of repressing the clamours of their admiration, but by thundering to the drawer for another bottle.

  Next morning another set of my acquaintance congratulated me upon my performance, with such importunity of praise, that I was again forced to obviate their civilities by a treat. On the third day I had yet a greater number of applauders to put to silence in the same manner; and, on the fourth, those whom I had entertained the first day came again, having, in the perusal of the remaining part of the book, discovered so many forcible sentences and masterly touches, that it was impossible for me to bear the repetition of their commendations. I, therefore, persuaded them once more to adjourn to the tavern, and choose some other subject, on which I might share in the conversation. But it was not in their power to withold their attention from my performance, which had so entirely taken possession of their minds, that no intreaties of mine could change their topick, and I was obliged to stifle, with claret, that praise, which neither my modesty could hinder, nor my uneasiness repress.

  The whole week was thus spent in a kind of literary revel, and I have now found that nothing is so expensive as great abilities, unless there is join’d with them an insatiable eagerness of praise; for to escape from the pain of hearing myself exalted above the greatest names dead and living of the learned world, it has already cost me two hogsheads of port, fifteen gallons of arrack, ten dozen of claret, and five and forty bottles of champagne.

  I was resolved to stay at home no longer, and, therefore, rose early and went to the coffee-house; but found that I had now made myself too eminent for happiness, and that I was no longer to enjoy the pleasure of mixing, upon equal terms, with the rest of the world. As soon as I enter the room, I see part of the company raging with envy, which they endeavour to conceal, sometimes with the appearance of laughter, and sometimes with that of contempt; but the disguise is such, that I can discover the secret rancour of their hearts, and as envy is deservedly its own punishment, I frequently indulge myself in tormenting them with my presence.

  But, though there may be some slight satisfaction received from the mortification of my enemies, yet my benevolence will not suffer me to take any pleasure in the terrors of my friends. I have been cautious, since the appearance of my work, not to give myself more premeditated airs of superiority, than the most rigid humility might allow. It is, indeed, not impossible that I may sometimes have laid down my opinion, in a manner that shewed a consciousness of my ability to maintain it, or interrupted the conversation, when I saw its tendency, without suffering the speaker to waste his time in explaining his sentiments; and, indeed, I did indulge myself for two days in a custom of drumming with my fingers, when the company began to lose themselves in absurdities, or to encroach upon subjects which I knew them unqualified to discuss. But I generally acted with great appearance of respect, even to those whose stupidity I pitied in my heart. Yet, notwithstanding this exemplary moderation, so universal is the dread of uncommon powers, and such the unwillingness of mankind to be made wiser, that I have now for some days found myself shunned by all my acquaintance. If I knock at a door, no body is at home; if I enter a coffee-house, I have the box to myself. I live in the town like a lion in his desart, or an eagle on his rock, too great for friendship or society, and condemned to solitude, by unhappy elevation,
and dreaded ascendency.

  Nor is my character only formidable to others, but burdensome to myself. I naturally love to talk without much thinking, to scatter my merriment at random, and to relax my thoughts with ludicrous remarks and fanciful images; but such is now the importance of my opinion, that I am afraid to offer it, lest, by being established too hastily into a maxim, it should be the occasion of error to half the nation; and such is the expectation with which I am attended, when I am going to speak, that I frequently pause to reflect whether what I am about to utter is worthy of myself.

  This, Sir, is sufficiently miserable, but there are still greater calamities behind. You must have read in Pope and Swift how men of parts have had their closets rifled, and their cabinets broke open at the instigation of piratical booksellers, for the profit of their works;4 and it is apparent, that there are many prints now sold in the shops, of men whom you cannot suspect of sitting for that purpose, and whose likenesses must have been certainly stolen when their names made their faces vendible. These considerations at first put me on my guard, and I have, indeed, found sufficient reason for my caution, for I have discovered many people examining my countenance, with a curiosity that shewed their intention to draw it; I immediately left the house, but find the same behaviour in another.

  Others may be persecuted, but I am haunted; I have good reason to believe that eleven painters are now dogging me, for they know that he who can get my face first will make his fortune. I often change my wig, and wear my hat over my eyes, by which I hope somewhat to confound them; for you know it is not fair to sell my face, without admitting me to share the profit.